IMPORTANT ANNOUNCEMENT
I’m sorry to have to tell you that Philip and I stopped producing Personal Bests after Issue 5. The format worked for a while, people sent us what they considered their lifetime best story, bought copies of the Journal when it came out, and received an equal share of the royalties when they came through. But we couldn’t allow the same people to keep sending in alleged “lifetime bests” for every issue, and so we limited it to two per person and then we wouldn’t publish that particular author’s work again. We imagined an ever-expanding market, where new authors would hear about what we were doing, get something published, buy copies and tell their friends who would do the same. But what we actually found was that most authors wouldn’t buy more than one copy of a book they were in, and wouldn’t buy a copy at all if they weren’t in it. Also very few contributors really made much of an effort to involve others or publicise what we were trying to do. Both sales and submissions diminished issue by issue and the shares of royalties dipped below £10 each, at which point we decided the venture simply didn’t justify the time and effort we were putting into it. It became a bit of a pyramid sales scheme in reverse. |
The Personal Bests Journal project, for which I act as Publisher and Editor | ||
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Cover image by Slavko Mali
The first issue of the new journal was published in August 2020 and is still available to buy on Amazon. What is different about this series? Almost everything.
The other unique feature of this journal is that all income from sales is distributed equally between all the authors with a story in the collection. This makes it effectively the first "Fair Trade" short story anthology, and ensures that the time, inspiration and love that each of us puts into our work is fairly rewarded. Why is even commercial publication so often paid for with a "Thanks very much"? Is the labourer not worthy of his or her hire? https://www.amazon.co.uk/dp/B09M7HXNZ7 Barring accidents there will be an Issue 4 and an Issue 5 and so on, at a frequency of about two a year: a summer edition around June or July and a winter edition around October or November, so submissions should remain permanently open. If your story is accepted for publication then I will request some additional items, such as a short bio, a "mugshot" for the "About the Authors" section at the back of the book and a copyright release to avoid any accusations of intellectual property theft on my part. Cover image by Robert Currie Cover image by Ursula O'Reilly |
List of Contributing Authors for Issue 2
List of Contributing Authors for Issue 3
List of Contributing Authors for Issue 4
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